星期六, 九月 01, 2007
渐渐地，我明白，如果视觉是一棵树，记忆不是它的镜子。
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我是一个天生的旁观者，旁观不一定要袖手，也可以拿相机。十多年来，无数胶卷和我一起旁观，留下一些影像，希望这影像保存记忆。然而，这些影像没有留住记忆，有些已让我感到陌生；我的记忆在哪里？直到有一天，某些影像在无意中被叠合，我的记忆之光闪现了，那是被刷新的记忆，是令我激动的影像——熟悉而陌生，令人不安，令人回味。
过去的那些漫无目的的视觉经历被重新过滤，看似没有关联的影像瞬间融合，不再分开，从此点燃我的记忆，燃烧我的知觉。
渐渐地，我明白，如果视觉是一棵树，记忆不是它的镜子。
这些作品时常被看作是超现实的，而记忆又何尝不是超现实的。
在现实的2004年将要结束之际，就用这些超现实的记忆来做一个总结吧。
I have been a stander-by. But a stander-by may not be merely standing; he can also take up his camera.
In the past decade, countless films have been speculating with me, so as to save some visions and the memory alike. But memory slipped away from these images, some of which are now even strange to me. Where has my memory gone?
This is it until one day, some of the visions overlapped coincidentally. Igniting my memory, the sudden refreshment brings back both strangeness and familiarity at the same time, inspiring as in the past, but also made me uneasy.
Random visual experiences of the past are now once again diluted, with images that were not connected now being merged and integrated. My memory is burning, together with my aesthesia.
Gradually I come to realize that, if vision is a tree, memory is not the lake that bears the inverted reflection.
These works are often labeled as surrealistic. However, memory may not be more realistic anyway.
Naming these visions is a hard mission, just like facing this very title.
At the end of this realistic 2004, let these surrealistic memory be a conclusion.
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好特别的照片！